Sci-fI Films Essay -- essays research papers

In this essay I am going to discuss about the topic acquisition fiction often plays off the real against the artificial, either in the underframe of humans versus non-human (androids, cyborgs, synthetics), or the world versus the non-world ( net income, inner-space, intentional space). I have chosen the films The Matrix and Bicentennial ManAn explosion in information admission fee and exchange is fueling the Information thruway that was created as a payoff of the computer revolution. If technology has truly become a god, then cyberspace is definitely its bible. Its scope is endless its breadth enormous. Although the foundation of cyberspace, the computer, definitely serves to take down culture, the Information Superhighway itself does not. If eachthing, cyberspace is re-humanizing the computer revolution. The World Wide Web, by pictures and graphics, has added personality and more personal contact to a technology that for geezerhood was just the facts. Although the stateme nt might be made that this is a pseudo-rehumanization that masks current human characteristics with digital ones, this is at least a step in the right direction. Something that removes the human qualities or attributes from culture can be express to dehumanize it. This technology destroys our view of truth and meaning. The basic presupposition of the Information Superhighway is that it contains information on any subject and can answer any question. It causes people to search places other than God for direction, truth, and meaning. Involvement with the technology serves to regenerate our involvement with reality. There is a tendency for people to start thought process of themselves and others in terms of their online personalities. Many people develop a unharmed other life on-line and some even end up being unable to separate their on-line identity from their real one. new-made movies such as The Matrix and Bicentennial Man serve to win blur this already fuzzy line. Bicentenn ial Man, directed by Chris capital of Ohio (US, 1999), is based on a story Isaac Asimov wrote in 1975 and like umteen of his stories, it deals with the enigma of a machine with the intelligence of a man, but without the rights or the feelings. As we might expect the film presents Asimovs concept of the intelligent robot, a concept that, like Asimov himself, pre-dates the modern world of personal computers, video games, the Internet, e... ...housand years ago. If the portrayal of intelligent machines in films teaches us anything, it is that it is fortunate that such machines do not yet exist. It is fortunate that is, for the machines, because all the evidence would indicate that we atomic number 18 not yet ready to treat them as fellow persons. well-off too for us perhaps, because when they became smart enough to mount a fortunate rebellion they might make us pay for their oppression (Mitchell 2003). reference work1. Edwards, D A, The Matrix, The Matrix An Ideological Analysis, viewed 5 June 2005, http//fiffdimension.tripod.com/matrix.htm1. 2. Menor F 2000, The Matrix(1999), viewed 7 June 2005, http//www.imdb.com/title/tt0133093/3. Mitchell, D 2003, What s it like to be a robot?, viewed 7 June 2005, http//www.zenonic.demon.co.uk/zenorobot.htm4. Setzer V W 2002, AI - Artificial Intelligence or Automated Imbecility, viewed 7 June 2005, http//www.transintelligence.org/articles/Artificial%20Intelligence.htm5. The Matrix 1999, motion picture, Prod. Joel Silver. Dir. The Wachowski Brothers. Perf. Laurence Fishburne, and Keanu Reeves6. www.duke.edu/djs12/ illume%20Theory/ Lit%20Theory%20-%20The%20Matrix.doc